![]() Clearly, the spirit of Jimi is strong within him.ĭuarte jumps into some hard-edged 50s-style rock and roll on the ecstatic “Bye, Bye, Bye.” Even cooler is the old-school electronic drum beat generated by the Univox rhythm box. His experimental and unpredictable performance here is dazzling and impossible to forget. Duarte continues to play with dissonance and noise over the pocket and generates that wonderful feeling of dancing right up to the cliff’s edge but never going over. “Big Fight” begins with some abstract, textural guitar work but then shifts in a strong, mid-tempo funk groove. Chris hasn’t lost a single step since we first heard him all those years ago and, if anything, seems to be picking up speed. It’s a tough-talking song that’ll quickly kick down your door and take control of your speakers. Duarte’s riffs and rhythms make immediate impact and his half-shouted vocals overflow with roadhouse madness. He’s a player’s player with a mighty tone and a muscular touch.įirst up on Ain’t Giving Up is the floor tom-thumping rocker “Nobody But You.” It’s a baked-up and blasted-out desert highway rave-up about a green-eyed redhead who just can’t behave. He has also worked as a sideman for Julie Burrell, Diana Cantu, Bobby Mack, Tracy Conover, Indigenous, Omar & the Howlers, and the Americana band Beth Lee & The Breakups. Since those days, Duarte has created a total of 15 solo records, played 150 gigs or more each year, and delivered the six-string goods at major festivals and clubs throughout the USA, Canada, and Europe. The record sold over 100,000 units and put him on the map in the blues scene. Guitarist and vocalist Chris Duarte exploded into public consciousness with the release of his second album Texas Sugar Strat Magick in 1994. I view this as expanding on the format that I love.” “For this album, I didn’t feel scared to explore beyond hard-driving blues. ![]() “This album explores a wider spectrum of musicality,” says Duarte. He cut all his solos live, even though he was breaking new personal turf. Overdubs were few and Duarte’s strong, physical playing style was in high gear. With Herring at the desk, Duarte tracked these new tunes at PLYRZ Studio in Valencia, California with Texas Sugar drummer Brannen Temple, bassist Jessica Will, and some loops from a vintage Univox rhythm machine. ![]() The album meets the world on April 14th, 2024 thanks to Provogue Records and finds Duarte reuniting with producer-guitarist Dennis Herring, who produced CD’s 1994 breakout release Texas Sugar Strat Magick, for the first time in 22 long years. Texas Strat magic-maker Chris Duarte throws down live in the studio and expands his genre palette at the same time on his new record Ain’t Giving Up. ![]()
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